top of page

About Me

Shakespeare Coaching.jpg

Photography: Sara Shifflet

“Are we all met?”

In addition to my work as actor, singer, and improviser, I also coach actors in Shakespearean performance. I’ve been studying and performing Shakespeare since my pre-teens, and I placed a heavy emphasis on Shakespearean performance and analysis while earning my Theatre and English Literature degrees at Ohio Wesleyan University (I even took a class called How To Write Like Shakespeare where I co-authored a five-act play in the style of the Bard himself!) I’ve acted in many-a-Shakespeare-production in Chicagoland, playing everyone from Touchstone in As You Like It to Perdita in The Winter’s Tale.

Here’s a quick scan of my Shakes-perience (hey, Will invented words, too)--

  • B.A. Theatre/English Literature; Minor in Women’s & Gender Studies - Ohio Wesleyan University

    • GPA: 3.89

    • Magna Cum Laude

    • Graduation with University Honors

    • English Literature Major: Junior Independent Study - “Actions That A Man Might Play” - Analyzing Hamlet’s soliloquy, “How all occasions…” through a feminist, gender-conscious lens

    • Theatre Major: Senior Thesis in Performance - “Actions That A (Wo)Man Might Play”

      • Performance of scenes and music from Hamlet and Twelfth Night

        • Twelfth Night (Act 1, Scene 5) - Olivia

        • Hamlet - Hamlet

          • Act 3, Scene 4

          • Soliloquy - Act 4, Scene 4 - “How all occasions…”

  • First Folio Technique - Susan Hart

  • Exploring Rhythm/Structure of Verse - Shakespeare & Company

  • I grew up in a house where Shakespeare was quoted on the regular (ask me about the Easter dinner where the waiter asked my brother, “Is this a dagger which I see before me...?”)

  • After tallying up all I’ve read, seen, and performed in, I have most of the canon covered

  • Most importantly-- of my three cats, two of them have Shakespeare names (Thisbe and Puck... Freyja may as well be Shakespearean)

“Come, Balthasar, we'll hear that song again.”

I have a unique perspective since I am a musical theatre performer as well as a Shakespearean actor. These two genres are more similar than one would think, and nothing would make me happier than helping a musical theatre artist find the Shakespearean actor within. We’ll work together to find the analogues between the MT World and the Bard World to make your Shakespearean text SING!

bottom of page